NEW: Algarve Fine Art Prints
Signed & numbered giclée prints of watercolor plein air studies.
Each motif is offered as a limited edition of 9 prints.
These are watercolour studies created during Lighthouse workshops, live demonstrations, or or just while studying the given subject.
Sizes: print 13 × 18 cm (≈ 5 × 7 in), sold mounted in A4 passepartout (matte), ready to frame. Frame not included in the price!
Looking for originals? Selected watercolors are available from 125€. Get in touch for the current selection!


BARCOS DE BURGAU
Fine Art Print on Hahnemühle Museum Etching paper.
Size 13 x 18 cm (≈ 5 × 7 in). Including matte in A4 size and backing.
Preffered purchasing in person (Faro & surroundings). Shipping within the EU on request.
MERCADO DE OLHÃO
Fine Art Print on Hahnemühle Museum Etching paper.
Size 13 x 18 cm (≈ 5 × 7 in). Including matte in A4 size and backing.
Preffered purchasing in person (Faro & surroundings).
Shipping within the EU on request.



JANELA BRANCA
Fine Art Print on Hahnemühle Museum Etching paper.
Size 13 x 18 cm (≈ 5 × 7 in). Including matte in A4 size and backing.
Preffered purchasing in person (Faro & surroundings).
Shipping within the EU on request.

How I paint in watercolor

Watercolor is an unforgiving medium: it demands full attention and presence—and that’s exactly what I love about it. Most studies are finished within 30 to 45 minutes.
Painting water by using this brilliant color – Cobalt Turqoise Light – such a pleasure!
I usually get up very early and try to be on location by 7 a.m.—I love and deeply value the morning light. Painting en plein air in the Algarve during summer is simply fantastic, and watercolor is the perfect medium for it. I almost always build up my images in layers—and here, they dry within seconds. To work wet-in-wet (especially for soft, blurry details in shadow areas), I need to spray the paper frequently.


Of course, it’s essential to find a shady spot—otherwise, you’re completely blinded by the rising sun. I love starting with a first wash using my big 4-inch flat brush (as seen in the picture). I often continue shaping the composition with it—it’s fantastic for blocking in architectural forms and building clear geometric structures.
Newsletter
Sign up with your email address to receive our newsletter
Courses
Find us in the Algarve!
© 2025 Lighthouse Artcourses | Art & Adventure.
All rights reserved.
Last updated: September 2025